Tombed in the solid night of starless space; From nearest living orb so far removed, That light, of all material things most swift, Myriads on myriads of earth's years must speed, Ere the mere outskirts of that Stygian gloom, If ever, it might reach,--at rest eterne, Lies the cold wreck of an extinguished sun. Prime glory once of all heaven's radiant host; Body, for soul of purest light most fit-- 'Tween its first darkening, and eclipse complete, Streamed years which might eternity appear; While into ether, like the particles, Invisible, which are the breath of flowers, The mighty bulk its softer elements Still ever was exhaling. As when flesh And sinew of earth's monster Mastodon, By the slow wasting of the elements, All are dissolved, and hard, enduring bones Alone remain,--even so, of this immense,-- When, by the ocean waves of centuries, Millions succeeding millions, worn away,-- The adamantine skeleton alone, In darkness, silence, utter solitude, A ruin for eternity, was left. (Edwin Atherstone, Israel in Egypt).
Dla angielskiego nierymowanego pięciostopowca jambicznego typowe są bardzo długie zdania, jak w powyższym przykładzie. W wersyfikacji rosyjskiej najbardziej efektowny jest jamb czterostopowy, ulubiona forma największych romantyków: